A Light in Dark Places: DALLAS
April 2024 Program
Get Well Soon by Blake Lewis
Blake Lewis, Writer
After coming on board as a director for the inaugural year of A Light in Dark Places, Blake knew that he would love to continue to be able to help Kelly and the organization in whatever ways he could. Since then, he has written a couple different plays for the events, as well as serving on the board and play selection committee. He believes that the topic of suicide has been shrouded in secrecy and shame for far too long.
Blake also produced, wrote and acted in the recently released film Dylan and Zoey.
Blue Christmas by Allie Costa
Chris Millar, Director
Chris is a native Texan freshly returned and replanted from many years in Los Angeles. Chris studied acting at the Beverly Hills Playhouse under Rick Podell, Chick Vennera, and Milton Katselas, and trained in improv at IO West of Hollywood. He has acted, directed, and produced theater in Los Angeles and is a member of Sacred Fools Theater Co. In addition to stage work, Chris has written and directed short films, one of which progressed to final jury in USA Film Festival’s National Short Film competition. Away from creative endeavors, Chris runs an IT company and is obsessed with racing.
Yaletzy, Samina
Yaletzy is making her Dallas debut in her portrayal of Samina in Blue Christmas. She is an advocate for representation of historically oppressed and underrepresented individuals within all professions and, in particular, within the arts. She previously served as the Communications Coordinator at Cara Mía Theatre and aspires to continue to make theatre accessible to everyone as she believes in the positive impact theatre can have.
Man in Cage with Friend by Jim Kuenzer
Ale Fips, Director
Ale is a multifaceted performer hailing from Guadalajara, Mexico, with a rich tapestry of experiences in the entertainment industry. She began her career at a very young age, starring in beloved musicals like "El Príncipe Rana" and "Peter Pan," along with Mexico's rendition of Disney’s "High School Musical." Her talent transcended stages onto screens, gracing Spanish TV shows like "Código Paranormal" and "La Rosa de Guadalupe," and making her mark in films such as "El Buchon" and “Ciudadano Buelna”. Training at the Stella Adler Academy of Acting LA expanded her skills, leading to memorable performances in New York City productions like "Judgment on a Grey Beach," which she also produced,"Seucy and Boto," and “Undefined Fraction” at La Mama ETC. Also, she contributed to several short films that have been official selections of renowned festivals and award winners. In addition, she lent her voice to the award-winning immersive exposition "Viva la Vida" as Frida Kahlo, which has traveled the world. Offstage, Ale's versatility is evident as she led the management of Riverdance's 2023 Mexican tour and directed plays for "A Light in Dark Places" since 2020. Dedicated to nurturing theatrical and cinematic excellence, she also serves on play and screenplay selection committees for various festivals. Ale recognizes the profound impact of the arts and the transformative power of storytelling, believing wholeheartedly in their ability to change lives.
At Least Slightly by Andrew Heinze
Ale Fips, Director
Ale is a multifaceted performer hailing from Guadalajara, Mexico, with a rich tapestry of experiences in the entertainment industry. She began her career at a very young age, starring in beloved musicals like "El Príncipe Rana" and "Peter Pan," along with Mexico's rendition of Disney’s "High School Musical." Her talent transcended stages onto screens, gracing Spanish TV shows like "Código Paranormal" and "La Rosa de Guadalupe," and making her mark in films such as "El Buchon" and “Ciudadano Buelna”. Training at the Stella Adler Academy of Acting LA expanded her skills, leading to memorable performances in New York City productions like "Judgment on a Grey Beach," which she also produced,"Seucy and Boto," and “Undefined Fraction” at La Mama ETC. Also, she contributed to several short films that have been official selections of renowned festivals and award winners. In addition, she lent her voice to the award-winning immersive exposition "Viva la Vida" as Frida Kahlo, which has traveled the world. Offstage, Ale's versatility is evident as she led the management of Riverdance's 2023 Mexican tour and directed plays for "A Light in Dark Places" since 2020. Dedicated to nurturing theatrical and cinematic excellence, she also serves on play and screenplay selection committees for various festivals. Ale recognizes the profound impact of the arts and the transformative power of storytelling, believing wholeheartedly in their ability to change lives.
PANDORA'S BOX OF DONUTS by Aly Kantor
C. Ryan Glen, Director
Ryan studied theatre and playwriting at the Southern Methodist University Meadows School of the Arts (2010), and enjoyed several years in professional productions around DFW. Favorite roles include Sir Andrew Aguecheek in Twelfth Night with Shakespeare Dallas and John #3 in Dreamless with Ochre House, as well as a bevy of shows with the original Shakespeare in the Bar crew, Lyric Stage, and others. Ryan and his family recently live in Grapevine, TX, where he has a new life of being a father, landscape designer, writer, and otherwise charmingly-restless artist. With a past of difficult mental health issues of his own as well as several friends whose lives have been deeply marked by suicide, Ryan believes avidly in this production and these plays, and he is humbled to get to help bring one of them to life.
Production Staff:
Produced by: Kelly O'Malley
Co-Produced by: Kristina O'Malley, Sam Sheeks &
Josh Reiter
Original Music by Jack Brewer
Light Design: Ben Bryant
Theater Manager: Stewart Mikkelsen
Stage Manager: Ale Fips
Board Operator: Allye Akin
Mural by Claire Morales
Graphic Design by Jill Duddleston
Still Photographer: Zack Huggins
Board of Directors:
Kelly O'Malley, President
Matthew Fuller, Treasurer
Ana Roza Cimperman, Secretary
Salim Aliaga
Art Cisneros
Ale Fips
Jessica Glenn
Bruce Katzman
Blake Lewis
Katie O'Malley
Rick Peters
Nimalee Wickremasinghe-Kuhn
Christina Zamora
Special Thanks To…
The Bath House Cultural Center & Stewart Mikkelsen for hosting us and going above and beyond to ensure the quality of our show. The Clantons for their continued generosity and many-faceted ways of support, including facilitating the beer donation from TUPPSBrewery. Bill O’Malley for preserving the legacy of his brother through generous sponsorship. The Lafatas and all of our various donors for making events like these possible and keeping them affordable to all. Lawrence and Anna Man for their unwavering enthusiasm, love and mentorship. Jessica Glenn for organizing our post-show discussions. Katie O’Malley for designing a beautiful reception space. Devon, thanks for jumping in with a weeks notice, you brave brave soul. Ale, welcome to Texas! You’re amazing, thank you for wearing so many hats and for all the wonderful ways in which you’ve supported me on this journey. I'm sorry I had the flu and you had to shoulder the set build!! <3 Kris, you’re amazing. I love you so much and I am so lucky and grateful that we can do this show together.
A Personal Note
It’s been eleven years. More than eleven, and it still hurts. Maybe not as frequent as it once did, but the grief is there. Suicide is a complex type of grief. There’s the classic guilt. Doubt. Confusion. Betrayal. Sorrow. Shock. Trauma. All combined with the slow realization that what we’re grieving isn’t just the person. We grieve our former selves. I’m not who I was, but I sure do wish I were. It feels as though my very DNA changed, and no matter what I do, I can’t get it to go back. I miss my old life. I miss my pre-crime-scene-tarnished childhood home. I miss my sense of security. I miss the version of myself before I was propelled into adulthood.
But most of all, I miss my Dad.
I’m painfully aware of his absence with each big life event, but I also feel him gone in the most mundane of moments. Putting air in a tire, or going for a sunset walk. And I’m perhaps most aware when I allow myself to feel the weighty fact that many of my loved ones will never know him. The best I can give them favorite memories, shared characteristics, (and for a lucky few) home videos pale in comparison to the real him. But it’s in those moments of connection that comfort comes.
There’s joy to be found in exchange of memories. There’s a peace that comes with seeing our loved ones live on through the stories we tell. We honor them when we speak of them, and we move closer to them through those shared experiences.
That’s why we’re here tonight. Stories are powerful, even fictional stories, because they share life. We all recognize the people in these plays. We’ve been them, or we know them. Maybe we’ve lost them. We can’t bring those passed back physically, but they don’t have to be gone forever. We don’t have to shut the memory of them away or be afraid to look at what happened.
What happened happened. My Dad took his life, and he’s not coming back.
But he (and the others like him) can live on. If we keep talking, if we keep helping others. If we keep reaching out, if we keep learning how to better care for each other. And ourselves.
We didn’t have a choice in what happened to our lost loves, but we do get to choose to move forward. We get to choose to spread the word there’s no shame in struggling with your mental health, none. Help is attainable, and you are precious to someone. You are more than your struggles.
You are loved.
- Kelly O'Malley